Whats Love got to with it(1993) film analysis Essay

Whats Love got to with it(1993) film analysis - Essay Example But her prospects skyrocketed upon being discovered by Ike Turner, when living with her mother who had abandoned the family to live in St. Louis. Ike was already established as a performer himself, as well as producer/songwriter. (Maslin, 1993) So begins a compelling biographical biopic drama about the singing duo that has touched millions of lives worldwide. Ike appears to be the answer to Tina's prayers; an industry insider willing and able to foster her own rise to music stardom. Yet he hides (not for very long) personal demons that will drive him to heights, or depths of jealousy which will provoke in him abuses physical, emotional, and sexual. The film, and the unflinching glare that it shines upon the threats and consequences of domestic violence highlights an unexpected truth concerning Tina's rise. Ike aided her in more ways than the obvious; Anna Mae Bullock being the right person at the right time to take advantage of the opportunity he provided; and not simply in terms of physical access to industry resources. An analysis of the film reveals the perils and pitfalls to be overcome for those that seek to safeguard the vulnerable, (and not always women) from domestic violence. Apart from these systemic weaknesses in the law and prosecution thereof, this study shall also demonstrate that, despite the exhaustion, fear, and violence, there is a case to be made for the ways in which Tina needed Ike. Underscoring the complexities of managing the widespread threat of domestic abuse are Anna/Tina's long years of brutal, seemingly unprovoked beatings, the on-screen depictions of infidelity and various betrayals, and even a scene of apparent marital rape. Reminiscent of an indefatigable river-boat worker, (Keep on burning) the renamed Tina Turner suffers through the long slog of the showbiz hamster-wheel, driven to perform regardless of illness, bruises, or weariness. In order to escape the painful cycle, Tina could ultimately rely on no one but herself for the fortitude needed to break free. Ike's d epicted abuses should certainly constitute illegal domestic violence, but many battered women are forced to rely primarily upon themselves; due to the difficulties in prosecuting such cases. In Ike's case, in time a sizeable body of evidence, and witnesses would accumulate that would easily corroborate his worst offenses; but in those heady, early years, for Tina and likely many wives; it would be easy to believe that this was a 'phase', and that he would change; that there would be no pattern of abuse to astound house-guests and scar the minds of their children. Adding to her reluctance to abandon him, loomed the specter of her own mother, who had abandoned the family when Anna Mae was young; adding a dogged determination not to duplicate that betrayal. The criminal justice system can be argued to exacerbate a disconnect between the severity of the crimes, and their response to it; largely due to difficulties of evidence, and certain beliefs held by the legal authorities. There is a tendency to 'water-down' violence based on the relationship between the parties involved. In some police districts, it was standard practice for domestic abusers to be diverted into the care of counselors, not just for the attacker himself (or rarely, herself) but counseling for victim and abuser alike. Which would hardly be the case should a woman be attacked at knifepoint by a masked stranger. (Busch, et al. 1993) Which begs the question of whether a unique set of circumstances are involved, or whether the violence is simply an unhealthy manifestation of the nuts and bolts of a volatile marriage? Many authorities assume so, and unless one was able to watch a

Church History Essay Example | Topics and Well Written Essays - 2500 words

Church History - Essay Example Moreover, many of the religions followers were being converted to Finney's theological teachings.3 As Charles Finney's following grew in numbers, so did the criticism he received from those who felt as if Finney was threading and invading their own territories.4 As it has been mentioned, Finney's lectures were broken down by his staunchest opponents. Every single detail of his teachings was analyzed to reveal anything that they might be able to use against him. The following discussion will focus on Finney's thoughts and how these differed from the traditional teachings of the Church. Furthermore, the reactions of various groups and individuals to Charles Finney's lectures will likewise be included in the discussion. The primary objective in undertaking such analyses is to reveal the rationale behind the Finney's castigation. Finney asserts that the need for a revival comes from the assumption that the church is in a, "backslidden state."5 Furthermore, Finney believes that a revival is the rise of the church from its backsliding. This should happen together with the conversion of sinners.6 Finney believes that revival is but merely the commencement of the people's new obedience to God. He furthers this by saying, A revival according to Finney is the renewal of the Ch... g from the backslidden state where members of the church were blind to the state of sinners.8 In this backslidden state, Christians do not see the reality of the truth embedded in the scriptures. Although it may seem as if they admit to such truth, and that, "their conscience and judgment assent to it," the faith of Christians does not see such truth as it stands out in reality.9 Furthermore, Finney believes that, A revival breaks the power of the world and of sin over Christians. It brings them to such a vantage ground that they get a fresh impulse towards heaven. They have a foretaste of heaven, and new desire after union with God; and the charm of the world is broken, and the power of sin overcome. 10 In all of Finney's thoughts regarding revival, one element stands out. Finney's concept of revival is not one that is a gift from heaven. Finney did not believe that a revival is a product of a miracle and that the church needs not to do anything but accept such gift from God. This is what one may deduce from Finney's statements on the origin of a revival, "A revival is not a miracle, nor dependant on a miracle, in any sense. It is a purely philosophical result of the right use of the constituted means."11 This statement clearly explains Finney's concept of a revival. For Finney, the revival is the product of human effort.12 He believes that Christians have the capability to initiate a revival. Miller states Finney's view of spiritual reformation was that of a self-reformation rather than a divine reformation.13 He did not believe that a miracle or a gift from God is needed in order for any miracle to begin. Finney's view of revival was pragmatic just as his view of the universe was. According to Horton, The American pragmatic impulse that produced both Finney and

Jung and the Use of Psychedelics Essay Example for Free

Jung and the Use of Psychedelics Essay Carl Jung had many theories of the unconscious mind, and apparently had the personal capacity for very lucid dreams along with exceptionally vivid visions. In the fall of 1913, Jung dreamed of a â€Å"monstrous flood† that engulfed most of Europe; he saw â€Å"people drowning and civilization crumbling. † Because of his extremely vivid visions, he worried at times that he might be experiencing a psychotic break. (Boeree p. 1). Jung identifies the ego with the conscious mind, and the personal unconscious with anything which is not presently conscious, but could be. The use of LSD apparently increases the ego, or the conscious mind, and brings the personal unconscious either closer to the surface, or completely out into the sunlight. It is well-documented that the therapeutic use of LSD can accomplish in a relatively short amount of time what years and years of psychotherapy sometimes cannot. Inhibitions are released and the unconscious mind delivers up its issues in order to enable the patient to deal with them, leading ultimately to recovery. As it relates to Jungian theory, the LSD experience can have no simple explanations and parallels. The effects of LSD on the human mind are far from â€Å"standard,† but rather the â€Å"result of a complex interaction of the drug, the psychological and physical environment, the personality structure of the subject and therapist, and the set or expectancy as to what the drug would do. † (Terrill p. 1). In other words, there is no â€Å"typical† LSD drug experience, but it is rather wholly dependent on the person’s own unique personality, physical environment and what the person is expecting from the drug experience. In terms of mood, there are a wide range of reactions, from feelings of euphoria, increase in anxiety, and a general intensity of feelings. Many subjects show an increased concern with immediate events and a lack of concern about past and future. (Terrill p. 2). Most subjects seem to have an increased sensitivity regarding their interactions with others, and hallucinatory effects are quite common, especially those involving the senses. The external world becomes â€Å"unstable, receding and approaching, flowing and vibrating. † (Terrill p. 2). Of course the dosage of the LSD drug is a factor as well. In general when therapists are working with small doses, the results are only to heighten suggestibility and allow the â€Å"emergence of the unconscious materials. † (Eigen p. 2). These small doses could continue for months or years. A massive dose of LSD (750-1500mcg—is given with the goal of achieving therapeutic results in one â€Å"overwhelming session,† and can be compared somewhat to a religious conversion. This type of treatment has been used with some success for alcoholics or those with severe psychotic problems. More typical is a moderate dose of LSD, used in such conditions such as criminal psychopathy, sexual deviations, depressive states, phobias, and compulsive syndromes. This moderate dosage has also been used with autistic children to enable them to become more responsive. (Masters p. 3). The shadow in Jungian theory is the â€Å"dark side† of the ego, and all the evil that human beings are capable is stored there although the shadow is amoral—neither good nor bad, rather more like animals. (Boeree p. 6). Animals do not consciously decide to do something based on whether it is good or bad, they just act on instinct and react to the situation at hand. Everything in us that is unconscious, repressed, undeveloped or denied becomes our shadow, and until we confront our own shadow, we cannot truly have self-awareness. (Boeree p. 8). In typical psychotherapy a person’s shortcomings are brought out, but not so much his assets. Therefore, his shadows are brought into the light, but the missing link is that the good parts of his personality are disregarded. Because LSD causes an inflation of ego, it can be â€Å"an effective antidote for low self-esteem. † (Savage p. 4). While LSD allows the person to face his shortcomings and bring out his shadows just like typical psychotherapy, at the same time he can â€Å"experience some of the wealth and reservoirs which lie within him. † (Savage p. 4). A complex is a â€Å"pattern of suppressed thoughts and feelings that cluster around a theme provided by some archetype. † (Boeree p. 8). As an example, if you pretend all your life that you are only good and don’t even have the capacity to lie, cheat or steal, then all those times when you do good, the other side of you goes into a complex around the shadow. That complex begins to develop a life of it’s own and â€Å"it will haunt you. † (Boeree p. 8). There are many related instances of LSD bringing these complexes to the surface quickly. Interestingly, in a book about one woman’s LSD treatment, the woman described her results this way: â€Å"I found that in addition to being, consciously, a loving mother and a respectable citizen, I was also, unconsciously a murderess, a pervert, a cannibal, a sadist and a masochist. † (Grinspoon p. 3). The woman went on to say that at the end of nine sessions, over a period of nine weeks, she had essentially faced her â€Å"demons† and in the process had lost her fear of dentists, the tensions in her body and her dislike of clocks ticking. In this particular case, LSD therapy helped this woman to face her own shadows and complexes and deal with them. In Breaking Open the Head, Daniel Pinchbeck takes us along for his own spiritual journey through the use of psychedelics. He details amazingly vivid dreams and visions, and while cautioning about the over usage of LSD and other psychotropic drugs, he states that, â€Å"We need the courage to confront what lies behind the openings of our own minds. † (Pinchbeck p. 7).

Promoting Culture And Heritage Tourism In Barcelona Tourism Essay

Promoting Culture And Heritage Tourism In Barcelona Tourism Essay When people go travelling, they buying a product that involves and includes people. It offers tourists an exciting chance to become -even if its just for a little while- a part of another culture. This paper is looking at the importance of managing and marketing heritage and cultural tourism and to what extend its used as a promotion strategy to boost tourism in Barcelona. Due to globalisation and increasing competition, many cities are experiencing a stage of regeneration. Especially since traditional industries like the textile manufactory are declining, a major priority is to attract foreign investment and become a high profile destination for tourists. To achieve that, culture and heritage are used as valuable assets for promoting a city. Definition of cultural and heritage tourism Culture and heritage have been elements in tourism since a long time. When looking at the role of cultural and heritage tourism, definitions need to be made. Culture can be defined in terms of shared norms, values, customs, artistic achievements by a group of people at a certain time (BeechChadwick, 2006: 486). McIntosh, Geoldner and Ritchie have recognized culture as a motivator for people to travel, identified by the desire to see and know more about other cultures. This includes to find out more about the natives of a country, their, lifestyle, music, art, folklore, dance etc (Cooper, et al 2008: 47). Heritage can be defined in terms of what is inherited by one generation from past generations , that can be i.e. a property or a tradition. All in all the National Trusts definition of cultural heritage tourism is explaning it very well: it is traveling to experience the places and activities that authentically represent the stories and people of the past and present. It includes hi storic, cultural and natural resources. (culturalheritagetourism.org) Cultural tourism products Developing successful tourism attractions involves an understanding of what tourism is and how it works. There are key principles, which makes tourists being attracted to a destination. The nature of tourism can be defined as a commercial activity which involves the consumption of experiences, in practice it is a business with the purpose for economic benefit of the tourist destination. The tourism industry enables tourists to consume experiences (McKercher du Cros, 2002: 27) It is entertainment and a demand-driven activity which is not easy to control. Cultural heritage attractions are a part of tourism and not all cultural assets are cultural tourist attractions(McKercher du Cros, 2002: 26). Promoting Culture and Heritage Tourism in Barcelona: Marketing tools Barcelona has inherited a prosperous cultural tradition, which is resulting from its superb position in the Mediterranean. It has over 2,000 years of history and Barcelona experienced the Iberian, Roman, Arabic and Christian preceding civilizations. It has a distinctive personality as the capital of Catalonia, an area with its own Catalan language and culture (professional.barcelonaturisme.com). During the past decades, Barcelona proofed itself as a vibrant, innovative and imaginative city, which knows how to stay in the international spotlight. Worldwide 37% of trips are taken with the reason to experience culture., where Spains market share of cultural tourism is 8,2%. 21% of all foreign tourists came with the purpose to explore culture, compared to 59% for leisure and holiday. Cultural tourism is the second biggest segment of international tourism in Spain with figures of 9 million tourists in 2003 (ectn.eu.com). Barcelona has confidently established its position as one of Europes leading city tourism destinations. With nearly 4 million overnights in 1990, 8 million in 2000 and 12 million overnights during 2008, Barcelona has experienced a massive growth over the past decade (turisme2015bcn.cat ). In 1993 the public-private Turisme de Barcelona Consortium was founded with the intention to promote the city itself as well as reshape the image. It can be seen as the as a continuance of the work from COOB after the Olympics, which was set up by the Chamber of Commerce and the City Council (professional.barcelonaturisme.com). Several strategies were created to achieve the new goals. One key strategy was set to promote cultural tourism: We will promote cultural tourism based on the citys identifying elements such as the Catalan language, its status as regional capital, unique architectural heritage and Catalan cuisine (turisme2015bcn.cat). The development of cultural services and projects are often used to support the marketing and tourism efforts. This could mean the creation and renewal of museums and art galleries and the hosting of art festivals. This aspect is often part of a comprehensive cultural tourism strategy (Page, S Hall, CM, 2003: Chapter 8) Every year Turisme de Barcelona is realising about 400 promotional activities, which are selected according to different market segmentations, tourist typologies and countries. These can be art and culture, shopping, sport, nightlife or leisure to name just a few. The traditional and established iconic landmarks such as Park Gà ¼ell, La Ramblas or Gaudis work as tourist attractions are giving the city a unique image. Barcelona is using several strategies to promote itself; with the most important strategy being destination branding, where the cultural and heritage aspect plays a leading role. Also, there is no doubt that cultural and heritage resources in particular play a key role in the development of urban tourism (Page, S Hall, CM, 2003: Chapter 3). The media in its worldwide spectrum is used to carry out the brand and to promote Barcelona as a tourist place product by using television, radio, press and internet (turisme2015bcn.cat). Barcelona is known throughout the world as a cultural city with an important heritage and vibrant variety of cultural attractions. Barcelona has nine World Heritage Sites to offer (Palau de la Mà ºsica Catalana, Park Gà ¼ell, La Pedrera, Palau Gà ¼ell, Hospital de la Santa Creu i Sant Pau, Sagrada Familia, Casa Batllà ³ , Casa Vicens and Cripta de la Colà ²nia Gà ¼ell (professional.barcelonaturisme.com). During a five-year period, Barcelona enlarged its cultural attractions with new initiatives. In every year, a particular area has been devoted in a programme through the Universal Forum of Cultures 2004. In 2000 music was devoted, while 2001 was bestowed to art. In that year when the city hosted the triennial exhibition Experiences, Barcelona Art Report 2001 and the International Congress of Museums. In the year 2002, Barcelona strengthened its international position when it hosted the International Gaudà ­ Year, which has put the city in the world culture of spotlight. In the year 2003, sport and design were the citys thematic events and received big media coverage (professional.barcelonaturisme.com). In Barcelona has over 50 museums which are showcasing permanent collections by famous artists such as Picasso, Mirà ³ and Tà  pies. The city also offers a wide choice of theatre and entertainments facilities, and hosts famous festivals such as the Summer Grec Festival, where theatre, music and dance come together. The city has two most important classical music venues, the Palau de la Mà ºsica and LAuditori, which both present top-quality programmes. Furthermore, the citys opera house, the Gran Teatre del Liceu, has one of Europes most prominent opera seasons (professional.barcelonaturisme.com). Barcelona offers different sightseeing tours to discover Culture and Heritage, where passengers get provided with any information they may require. They also give a voucher booklet which offers discounts at the main city attractions. This is a tool to promote the visit of Culture and Heritage sites. The Barcelona Tourism Board introduced a few years ago the Barcelona Card , which ones purchased provides tourists with free travel on city transport and discounts and free offers at museums, leisure attractions, nightclubs, shops, restaurants, on entertainments and other services. Various Walking Tours, where the Gothic Quarter can be discovered, where they show the tourists through the historic and political heart of the city. With a Modernisme route, the Catalan art nouveau buildings by architects such as Antoni Gaudà ­. Domà ¨nech I Montaner and Puig I Cadafalch are showed and explained. There is also a Gourmet route existing which goes through the old town and gives visitors the possibility to explore Barcelonas gastronomic culture. Barcelona also offers the Articket, a ticket that allows tourists to visit the 7 leading museums in Barcelona (barcelonaturisme.com). Critical View Cultural tourism brings individuals and human communities into contact. It can encourage the revival of the traditions and the restoration of cultural sites and monuments. But unbridled tourism can have the opposite effect. On the one hand, cultural heritage can serve as a tourism attraction, and tourism can lead to the financial and political support for management of a heritage. On the other hand, there is also possible conflict insofar as tourism can damage cultural heritage, and therefore limits on visitation can damage tourism or rather hold back its expansion. What is clear is that tourism is growing and will have an increasing impact on cultural heritage. The World Tourism Organization (WTO) predicts that cultural tourism will be one key tourism market segments in the future, and notes that growth in this area will present an increasing challenge in terms of managing visitor flows to cultural sites.aa how development cooperationin specific settings, industry organizations note that the challenge is to manage the future growth of the industry so as to minimise its negative impacts on the environment and host communities whilst maximising the benefits it brings in terms of jobs, wealth and support for local culture and industry, and protection of the built and natural environment. .

Deir El Mdina Essay -- essays research papers

Deir El Medina Describe the village of Deir El Medina. The village of Deir El Medina grew from the time of the 18th Dynasty to the 20th. By its final stage approximately 70 houses stood within the village walls and 50 outside. Perhaps 600 people lived here by then. A wall surrounded the village approximately six meters high built of mud-brick. Gates were located at each end. The villages of Deir El Medina made up a special government department under the vizier of Upper Egypt, and were a select largely hereditary group of scribes, quarrymen, stonemasons, artisans, and labourers, who created the final resting place for their divine rulers. Describe in detail a typical workers house at Deir El Medina. Most of the houses in Deir El Medina were built in a standard elongated design, 15 by 5 meters. They had rubble bases and mud brick superstructures, and shared walls like today’s terrace housing. Each of these houses would have the following features. Down several steps from the street was an entrance room, with niches for offerings, stalae and busts. Often there were painted images, sometimes of the god Bes. A low bed-like structure has suggested to some archaeologists that the entrance room was also used as a birthing room. A doorway led into the main room of the house, with raised dais by one wall, plastered and whitewashed. Against another wall may have been a small altar and offering table and niches for household gods. A small cellar was often located under this room, approached by a small flight of steps and covered by a wooden trapdoor. Several small rooms may have led off the main room, possibly for sleeping, work or storage. At the rear was a small walled court, which served as the kitchen. It contained an oven for baking bread, a small grain storage silo, a container for water and grinding equipment. Another family shrine and another small cellar may also have been here. A staircase led to the roof where the family might sleep or store goods. Windows were normally set high in the walls with a grill. Though the outside of the houses was whitewashed, traces of paintings have been found in the interior walls. Refer to diagram 1.1 What type of furniture existed in such a household? The furniture was generally well made and often beautifully crafted. Nobles’ furniture was often inlaid with semi-precious stones and ivory and the villages often copied ... ... and grape juice were commonly consumed by workers- wines were more expensive. Spices and herbs were used such as cinnamon, cumin and thyme. ENTERTAINMENT- There is abundant information about leisure pursuits of Egyptian nobility. They hunted wild game such as the ibex, ostriches, gazelles, hares and wildfowl, and fished in the Nile. It is not certain if the villagers shared these pursuits. Villagers enjoyed music from instruments such as the harp, lyre, lute, flute and drum. Board games such as senet were also popular. What was Egyptian Family life like? Houses held five to six people yet burials often included at least three generations. Marriages were generally arranged. There was no ceremony but complex legal arrangements were made. Divorce was simple; reasons given range from adultery to infertility or simple apathy. Women had considerable legal, economic and social status. Some even appeared to be literate. Children played like they do in every culture yet are often shown performing light work. Boys were educated in a nearby temple where they were taught reading, writing and arithmetic. Squabbles between families, and even within families appear to have been quite common. Deir El Mdina Essay -- essays research papers Deir El Medina Describe the village of Deir El Medina. The village of Deir El Medina grew from the time of the 18th Dynasty to the 20th. By its final stage approximately 70 houses stood within the village walls and 50 outside. Perhaps 600 people lived here by then. A wall surrounded the village approximately six meters high built of mud-brick. Gates were located at each end. The villages of Deir El Medina made up a special government department under the vizier of Upper Egypt, and were a select largely hereditary group of scribes, quarrymen, stonemasons, artisans, and labourers, who created the final resting place for their divine rulers. Describe in detail a typical workers house at Deir El Medina. Most of the houses in Deir El Medina were built in a standard elongated design, 15 by 5 meters. They had rubble bases and mud brick superstructures, and shared walls like today’s terrace housing. Each of these houses would have the following features. Down several steps from the street was an entrance room, with niches for offerings, stalae and busts. Often there were painted images, sometimes of the god Bes. A low bed-like structure has suggested to some archaeologists that the entrance room was also used as a birthing room. A doorway led into the main room of the house, with raised dais by one wall, plastered and whitewashed. Against another wall may have been a small altar and offering table and niches for household gods. A small cellar was often located under this room, approached by a small flight of steps and covered by a wooden trapdoor. Several small rooms may have led off the main room, possibly for sleeping, work or storage. At the rear was a small walled court, which served as the kitchen. It contained an oven for baking bread, a small grain storage silo, a container for water and grinding equipment. Another family shrine and another small cellar may also have been here. A staircase led to the roof where the family might sleep or store goods. Windows were normally set high in the walls with a grill. Though the outside of the houses was whitewashed, traces of paintings have been found in the interior walls. Refer to diagram 1.1 What type of furniture existed in such a household? The furniture was generally well made and often beautifully crafted. Nobles’ furniture was often inlaid with semi-precious stones and ivory and the villages often copied ... ... and grape juice were commonly consumed by workers- wines were more expensive. Spices and herbs were used such as cinnamon, cumin and thyme. ENTERTAINMENT- There is abundant information about leisure pursuits of Egyptian nobility. They hunted wild game such as the ibex, ostriches, gazelles, hares and wildfowl, and fished in the Nile. It is not certain if the villagers shared these pursuits. Villagers enjoyed music from instruments such as the harp, lyre, lute, flute and drum. Board games such as senet were also popular. What was Egyptian Family life like? Houses held five to six people yet burials often included at least three generations. Marriages were generally arranged. There was no ceremony but complex legal arrangements were made. Divorce was simple; reasons given range from adultery to infertility or simple apathy. Women had considerable legal, economic and social status. Some even appeared to be literate. Children played like they do in every culture yet are often shown performing light work. Boys were educated in a nearby temple where they were taught reading, writing and arithmetic. Squabbles between families, and even within families appear to have been quite common.

The Many Themes of A Tale of Two Cities :: Tale Two Cities Essays

The Many Themes of A Tale of Two Cities The Tale of Two Cities has many assorted themes. The themes are interconnected with each other. Theme plays a big part in the plot a book. The opinions formed by the audience, of the characters, are also affected by the themes in a book. Three themes in this book are sacrifice, love and hate, and death; these themes show up many times in this book. The themes in this book are shown through the characters and their actions. Sacrifice shows up in the book many times. Sacrifice is giving up something that is apart of your life that you do not really want to give up. The greatest sacrifice in the book is Carton's death. He sacrifices his life for his love for Lucie Manette. Sydney Carton met his death with great dignity. In fulfilling his old promise to Lucie, Carton attains peace; those watching see "The peacefullest man's face ever beheld"(366) at the guillotine. Charles Darnay gives up his estate in France, for the idea of working in England. His decision to become a teacher put him in a conflict with his uncle, the Marquis St. Evremonde. Miss Pross lost her hearing when she tried to stop Madame Defarge from killing Lucie and her family. Miss Pross was the loyal servant for Lucie. She showed her loving devotion to Lucie by fighting off Madame Defarge. Many characters are skilled with the force of love in this book. Miss Pross, fought off Madame Defarge for the reason that she loved Lucie, and did not want anything to happen to her. The true love was the feelings of Sydney for Lucie. This love was so great he sacrificed his own life for her. He showed more love for her than for himself. Hate is also plays a big part in the book. Madame Defarge had so much hate she went to the extent of trying to kill Lucie. This backfired and instead of Lucie dying she died in a struggle versus Miss Pross. Even Madame Defarge's husband Earnest Defarge shows hate when he accidentally runs over a peasant's son and kills him. Mr. Defarge showed no remorse for what he had done, and instead was very hateful toward the father of

Nuala Ní Dhomhnaill’s The Astrakhan Cloak Essay -- Astrakhan Cloak

Nuala NÃ ­ Dhomhnaill’s The Astrakhan Cloak The Astrakhan Cloak, published in 1992, is a collection of poems by Nuala NÃ ­ Dhomhnaill. Several aspects of the book deserve notice from the reader, including structural and thematic elements that work to develop an overall sense of mystery, wonder, and loss. A significant theme of the poems in the collection is the dichotomy of the supernatural and civilized worlds, and the sense that there are forces in the world just beyond our perception and understanding. In general the poems presented are short, but the final inclusion is a longer poem divided into sections, each somewhat able stand on its own. Read as a whole the final poem underscores the central themes presented in the book. NÃ ­ Dhomhnaill wrote the collection in Irish, but translations are provided on the facing pages. It is important to consider why the book was published in both languages. At the simplest level, the poet wanted people to read her work, and the market for poetry in English is larger than that in Irish. However, there are other considerations to keep in mind. First, the decision to print poems in both Irish and English brings to the mind of the reader some of the mystery inherent in other languages, especially the supernatural connotations of Celtic language. Viewing the poems in Irish reinforces the idea that some things are outside the realm of human understanding. Reading a translation is not the same as reading an original work; the reader cannot help but wonder what meaning the foreign words might carry that is lost in translation. That constant reminder throughout the collection enhances the sense of there being something just beyond perception that is beautiful and mysterious. Many of the poem... ...section of The Voyage, Two Men, tells of an encounter with the "Isle of Enchantment", Hy-Breasil. When the sailors in the poem encounter the island, they are caught up in "the relative merits of coal or clod", symbolizing the obsession with the everyday world, while "the island itself was covered by a blanket of cloud/and completely disappeared from view." (103) Finally, the island, and all the supernatural wonder it represents is lost, outside the reach of humanity. Â   Works Cited Ellmann, Richard and O'Clair, Robert, ed. The Norton Anthology of Modern Poetry, Second Edition. New York: W. W. Norton & Company, 1988. NÃ ­ Dhomhnaill, Nuala. The Astrakhan Cloak. Trans. Paul Muldoon. Loughcrew: The Gallery Press, 1992 "astrakhan." Encyclopedia Britanicca Online Dictionary [Accessed 11 November 2004].